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A follow-up single, "Sorry, I'm a Lady", was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland.
They recorded different language versions of some songs see Discography below. Touring in Europe during the late s helped the duo establish a firm fan base in Germany where their records continued to be produced and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia.
Baccara represented West Germany at the eighth World Popular Song Festival held in November — until it ended in the largest such contest in the world.
Their song, "Mad in Madrid", came 14th out of 37 participating countries. However high sales, particularly in Denmark , Sweden and Belgium , meant that the single was a commercial success.
Further recognition came in when Baccara was granted Germany's most prestigious media award, Burda Publishing Group 's Bambi prize.
This is offered annually to "celebrities whose abilities have impressed, moved and enthused the people in Germany". Both of these Baccara recordings have become iconic.
In , the album Colours and the separately-recorded single "Eins plus eins ist eins", released to mark the United Nations ' International Year of the Child and celebrate the 20th anniversary of the UN adoption of the Declaration of the Rights of the Child.
Although still successful, sales of these and other releases in were disappointing. Baccara's fourth and final album in the band's original incarnation was Bad Boys , released in By this time, the disco sound had been overshadowed by newer music movements such as punk , new wave and synthpop in much of Europe and interest was largely confined to those countries where the duo had an established fan base, notably Germany.
The album was not released in the UK or US; they never achieved any recognition in the US despite some of their songs being given significant airplay.
One music critic suggested that the Baccara formula lacked artistic depth but had been "mined for all it was worth" over two years until public interest moved on to other things.
The New Musical Express commented in May "Think what you like about Baccara, seen today their Eurovision performance has a certain style while their competition from that event looks dated and amateurish".
The single release of "Sleepy-Time-Toy" led to a disagreement within Baccara over the vocal mix used. A court hearing in Munich resulted in , records being recalled from dealers and a revised recording with a new vocal mix being issued in place of the original.
A twenty eight second instrumental bridge was removed from the start of the recording thereby reducing the play time from to and the vocals were remixed so as to give Mendiola and Mateos equal prominence.
The artwork for the single's cover appears to have remained unchanged. The single failed to chart successfully see Discography below.
As a result of the dispute, relationships between all parties involved were damaged. One consequence of this was that Soja and Dostal were not involved with Baccara's final album.
Neither the album nor its spin-off single "Colorado" were successful. In , after RCA declined to renew their contract, Mateos and Mendiola ended their professional partnership and both launched solo careers.
However, there remained a demand for Baccara's music, particularly on the European television circuit, and by the end of the decade both Mateos and Mendiola had formed their own versions of Baccara with new singing partners.
Despite a series of name and line-up changes, both Baccara duos continue to perform around Europe and have released new albums.
Both have also made re-recordings of their hits for various minor record labels, which are regularly re-packaged and re-issued under the original Baccara name, occasionally with photos of the original duo, Mateos and Mendiola, on the album covers.
However, the original song versions - those recorded between and - remain the property of Sony Music Entertainment , which now holds the rights to the RCA back catalogue.
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Today, the group continues to perform with the original name Baccara. Maria Mendiola and Christina Sevilla are touring around the world, sharing incredible energy and positive emotions with the euro-disco fans!
The duo performs all the most well-known hits recorded during their long! Organization of Baccara concerts. If you want to book the artist or get some additional info, do not hesitate to fill in the blank.
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